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Jackie DeShannon - Laurel Canyon download free

Genre: Rock
Performer: Jackie DeShannon
Title: Laurel Canyon
Style: Blues Rock, Folk Rock, Pop Rock
Date of release: 1969
Country: US
MP3 album size: 1806 mb
FLAC APE album size: 1615 mb
WMA album size: 1154 mb
Digital formats: MOD XM AA AAC VOC MP3 FLAC
Jackie DeShannon - Laurel Canyon download free

Tracklist Hide Credits

A1 Laurel Canyon
Written-By – Jackie DeShannon
4:03
A2 Sunshine Of Your Love
Written-By – E. Clapton*, J. Bruce*, P. Brown*
3:32
A3 Crystal Clear
Written-By – Ray Trainer
3:20
A4 She's My Best Friend
Written-By – Don MacAllister
3:10
A5 I Got My Reason
Written-By – Barry White
2:49
A6 Holly Would
Written-By – Jackie DeShannon
3:04
B1 You've Really Got A Hold On Me
Written-By – William Robinson*
2:55
B2 The Weight
Written-By – J. R. Robertson*
2:59
B3 Bitter Honey
Written-By – P. Williams*, R. Nichols*
2:30
B4 Come And Stay With Me
Written-By – Jackie DeShannon
3:02
B5 L.A.
Written-By – Jackie DeShannon
2:43
B6 Too Close
Written-By – B. Stone*, C. Greene*, J. DeShannon*
4:17

Companies, etc.

  • Copyright (c) – Liberty Records, Inc.
  • Recorded At – Liberty Studios
  • Record Company – Liberty Records, Inc.
  • Published By – Metric Music Co.
  • Published By – Nemperor Music
  • Published By – Ten East Music
  • Published By – Renda Music, Inc.
  • Published By – Cotillion Music, Inc.
  • Published By – Savette Music
  • Published By – January Music Corp.
  • Published By – Jobete Music Co., Inc.
  • Published By – Dwarf Music
  • Published By – Irving Music, Inc.

Credits

  • Acoustic Guitar – Russ Titleman*
  • Arranged By, Electric Piano, Other [Musical Atmosphere] – Harold R. Battiste, Jr.*
  • Art Direction – Woody Woodward
  • Backing Vocals – Barry White, Brendetta Davis, Don MacAllister
  • Bass Guitar – Ray Trainer
  • Design – Gabor Halmos
  • Drums – Abe Mills, Paul Humphrey
  • Electric Guitar – Craig Tarwater, Russ Titleman*
  • Engineer – Bert Agudelo
  • Photography By – Sue Cameron
  • Piano – Mac Rebennack
  • Producer – Brian Stone, Charles Greene

Notes

A York/Pala Records, Inc., Production

Writing credit format taken from labels.

Barcode and Other Identifiers

  • Matrix / Runout (Runout side A, etched): B. A. LP-12415-1-Re 2
  • Matrix / Runout (Runout side B, stamped): B. A. LP-12415-2-Re 2
  • Rights Society (A1 to B1, B3 to B6): BMI
  • Rights Society (B2): ASCAP

Other versions

Category Artist Title (Format) Label Category Country Year
LP-12415 Jackie DeShannon Laurel Canyon ‎(LP, Album, Gat) Imperial LP-12415 US 1969
RPM 304 Jackie DeShannon Laurel Canyon ‎(CD, Album, RM) RPM Records RPM 304 UK & Europe 2005
LP-12415 Jackie DeShannon Laurel Canyon ‎(LP, Album) Imperial LP-12415 Canada 1969
LF-151 Jackie DeShannon Laurel Canyon ‎(LP) Lyou Feng Record Publishing Co. LF-151 Taiwan 1969
LP-12415 Jackie DeShannon Laurel Canyon ‎(LP, Album, Gat) Imperial LP-12415 US 1969


Discussion about Jackie DeShannon - Laurel Canyon
PC-rider
...this is Jackie getting a funky groove on at the back end of '68, just in time for the newly emerging singer/writer phenomenon (the fact that she had been such an artiste since the late '50s didn't matter-this was new territory)...this is Jackie 'grown up', no longer being seen as an irrelevant purveyor of teenpop / MOR songstress, Jackie reaching for a new audience that might be waiting for a new sound...being on an old fashion label (liberty) didn't help her get this audience, they had no idea how to market this new style so it all came to nothing (she had a minor hit with the bands big deal tune(the weight) but otherwise...)...with the brilliant illuminating vision of hindsight she should have gone to Warner Bros who were getting some kind market space with Randy Newman/van dyke parks (though they couldn't shift any of parks wax they still wanted him on the label, they tried their utmost with him), but all this don't take away the stone cold fact this is some barefoot funky stew that needs to be heard by all heads that dig the strong and mellow vibes that were happening roundabout this time, the 'get back' vibe that was getting stronger since the tapes from big pink had started getting widely circulated...a top spin and goes well with the Carole king joint (the City) that was out the same time...
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